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Showing posts with label Finals. Show all posts
Showing posts with label Finals. Show all posts

Project Overview




Through many changes and advances from the original Garden City ideals, published by Sir Ebenezer Howard in his book To-morrow: a Peaceful Path to Real Reform (UK, 1898), the modern housing ideals have changed to reflect the current societies needs. After a huge boom in the housing market followed by an inevitable drop, coupled with high immigration rates, Britain has been left with a major shortage of housing, not helped by the economic downturn, which the National Housing Federation has said to have led to a 30% decline in house building over the last two years (Milligan, 2010).

To combat this shortage there are many large housing estates appearing across Britain. These estates are based on utopian ideas that everyone should have their own house, a space for their car and a small garden which in the ideal world would come with a secure income, an equal lifestyle; these ideals it could be said are becoming akin to the American Dream, particularly after Margaret Thatcher began to sell public housing to it’s occupants.

The estates are designed to house a diverse selection of ages and family sizes with estates often containing a variety from smaller terraced homes to much larger detached houses. The estates tend not to have much variation with each sized house often having just one design, as well as this the larger companies building them often have several sites on going build what is essentially the same development.

This mass production of houses can be seen as another extension of globalization, an ethos that essentially states low costs - high profits. Materials are cheap to purchase, as is the labour; where is the difference between a mass produced low cost Primark t-shirt and a George Wimpey house that tens if not hundreds of other people live in replica’s of?

It is the visual indicators of the low costs - high profit ethos that this project explores.




The written notes below are notes and ideas for this project overview and the evaluation.





302 Final Images

Below are the final images I handed in for module 302.

I chose these images as i felt they are the strongest images in terms of visually reflecting my concepts. In particular I find that the grouping of the far out and close up images creates a contrasting views of the utopian ideas and the harsher reality of the estates being built.

A more in depth critique can be found here.










'Tract Houses' Finals & Brief Breakdown

"...Baltz turned his camera on the virtually featureless built environment of California, the nether places of new suburbs and the anonymous ambiguity of ordinary places, finding forms that presented anomie and boredom and the insidious inertness of a voracious consumerism.
He published his compositions to an astringent minimum, and proceeded to explore photographic style as on operation - as a conceptual and critical practice."

- Sheryl Conkelton


These are my two final images for presentation. I tried to work from the above quote from the back of 'The Tract Houses'. I'm not sure I have really achieved images that could fit seamlessly into Baltz's book, even with the allowance of location and time differences.

One thing that irritates me about these images is that there is no true white. However this is not just me being crap, in many of the images in 'The Tract Houses' there is no true white. Instead the images look quite dirty.





Title:
  • Simply states what the work is. Refective of work in that it is what it is
Layout:
  • Laid out like a gallery - plain white pages with a single image
  • Images on the right handside (the flat side when the book's on a table) with the infomation on the left hand page
  • Nothing to detract the eye from the work
  • The book reflects the images?? Stark. Truthful.
  • Essay at the front to introduce the work, and a biographical essay at the back including quotes from Baltz
  • Also everything is in German, as it was published there - is this something to do with the Kunstakademie Dusseldorf??
  • Tract = expanse of land. Refers to the extent of the space
  • Realism??
  • After WWII there was a push for normality... does it reflect this? Maybe not. More so the vast growth
  • Narrative-Documents
  • Viewer interpreations...?
Context
  • Would aid yo in seeing depth in images
  • Set in context of time
Reccuring Themes and Ideas:
  • Very Stark
  • A lot of texture (although the images are often quite plain)
  • Abstract?
  • Gives glimpses of 'reality' (life)
  • Occasional representations of people living in the houses (see above)
  • Repetition of windows and doors - WHY? Do they mean something?
  • Mostly very 'plain' images
  • Bleak... Depressing..?
Sequencing
  • I can't see a clear theme that determines the sequencing of the images
  • A mix of very straight, close ups of walls as well as pulled back images of whole houses at angles as well as the odd interior